Alejandra Seeber Leda Catunda
One of a kind

19.02— 09.08.21

This exhibit showcases a dialogue between two Latin American artists, who are united by their work and in their desire to redefine painting. Both are highly skilled painters and integrate urban culture, modern art, design and nature into their art. Leda Catunda (1961, São Paulo) and Alejandra Seeber (1968, Buenos Aires, based in New York) both absorb their entire surroundings into their work. 

The rare beauty of their works can be found somewhere in the layers of their canvases, between the brushstrokes and the color fields. Sharing the ability to reveal such an aesthetic connects the artists even though the works in the show represent different cultural scenes and times. Of both artists, Malba will show both historic as well as contemporary paintings, sketches, studies and documents —with a strong focus on the 1980s and 1990s in the case of Catunda and a genesis occurring in late 1990s in Seeber´s work.

Within the framework of the exhibition, a public program of talks, workshops, and activities will be developed to think about the artistic models and discourses that were crucial in this genealogy of contemporary art.


Curator: Francisco Lemus.

Leda Catunda

Leda Catunda is part of Brazil's so-called “80s generation”, a group, which united young artists in their urge for the return of painting at the main institutions of São Paulo and Rio de Janeiro. After a political and cultural tense era, marked by the end of the military dictatorship, painting was considered a joyful way to express subjectivity and experiment with materials and styles of art –not having to take hierarchies into account. These liberties led Catunda to include aspects of local arts and crafts techniques, pop_ and conceptual art in her work. 

Having studied at the Armando Alvares Penteado Foundation was very important for the development of Catunda’s work. She was taught there by artists like Regina Silveira and Nelson Leirner, who, in the '70s, encouraged disruptive experimentation. From early on, Catunda’s visual universe, consisting of flora and fauna, landscapes, figuration, and the domestic, is presented in a way that fuses painting with sewing, extending the picture plane to a third dimension: tempting to touch.

In later years, Catunda began to create voluminous and seductive forms, combining Neo-Concretism, popular culture and Nature. Tongues, guts, drops, veils, insects make up her signature mark, which she nowadays combines with appropriating images of mass consumption from the internet.

Alejandra Seeber

Since the beginning of the 1990s, Alejandra Seeber has experimented aesthetically within her work questioning the traditions of painting. Important for her artistic development were the clinics that had arisen around this time in Buenos Aires. This gave young artists the choice to select who to study with and the freedom to learn different viewpoints. Seeber studied painting with Elsa Soibelman and was part of such a studio program of Guillermo Kuitca.

Seeber conceptualizes painting, but not by referring to history or traditions. She develops a visual culture based upon her own walk through life, which goes from the alternative rock scene to backstage work at musical theaters, being part of the underground scene in the more rough Southern parts of Buenos Aires, whilst becoming tech savvy in design.

Home interiors were often the base of Seeber’s works. Currently she is more focus on space research, their architecture, decoration, and small details, which offers a certain image of the world the artist then stains, smears and disperses all over the painting, making the relationship between the inside and outside world diffuse. A common denominator within Argentine art in the ‘90s was an aesthetic fascination for the everyday life and the focus on studio practice. Within this, Seeber has created a special place for herself as she found a new way to connect to painting, without leaving the medium.


Paralelo 1||3 Program

Paralelo 1 || 3 is a new program of exhibitions uniting two spaces in the museum –Gallery 1, located on the ground floor, and Gallery 3, on the second floor– placing them in dialogue.

The two galleries will be the sites for simultaneous exhibitions by two artists, intended to foster conversation between contexts, generations, and discourses; offering shared perspectives and points of difference. This way, the particularities of the works are shown, whilst suggesting common denominators; making connections between careers and aesthetics, and their respective view of the (art) world.

Works of art are not rootless: we encounter them in a context –galleries and halls of museums– which serves as a frame for interpretation. This program however proposes exercises in de-contextualization and de-hierarchization of the very categorization a museum itself generates. Paralelo 1 || 3 cuts into the codification of Malba's own spaces, presenting an alternative route through the building and its exhibitions.The museographic design plays a central role in pairing the physically disconnected spaces for this new program. This is why studio Adamo-Faiden Arquitectos was asked to invent a special layout. The idea behind this intervention is to break with a museological presentation one is accustomed to by re-signifying the galleries as part of a larger narrative which questions its supposed objectivity and invites us to draw parallels between fragmentary visual narratives - filled with tension and poetry.

Alongside the dual presentations of Paralelo 1 ll 3, Malba will also launch a new series of publications in which the notion of dialogue both in format and content will be researched.

Related Activities

Tutorial + Materiales

Superficies recortadas
Procesos creativos para niños y niñas con la artista Leda Catunda

En este video, la artista Leda Catunda (San Pablo,1961) invita a chicos y grandes a conocer su proceso creativo, los materiales que usa para sus obras y la forma en que los trabaja.


Alejandra Seeber / Leda Catunda
Fuera de serie

Catálogo de la exposición Alejandra Seeber / Leda Catunda. Fuera de serie, que inaugurará en febrero 2021.

Miércoles 28 de octubre a las 18:00

Paralelo 1 || 3

Conversación entre Leda Catunda y Alejandra Seeber

En el marco de la presentación del libro de la exposición Fuera de serie, las artistas Leda Catunda (São Paulo, 1961) y Alejandra Seeber (Buenos Aires, 1969) conversarán con Gabriela Rangel, Directora Artística de Malba

Modera: Gabriela Rangel
Miércoles 28 de octubre a las 18:00

Set musical

Cóctel imaginario

Un set inspirado en la exposición Alejandra Seeber / Leda Catunda. Fuera de serie.

Por DJ Trincado

Miércoles 26 de mayo a las 17:00

Taller para adolescentes

Las imágenes nunca están solas

La propuesta de este taller es explorar las capacidades narrativas de la imagen a través de su relación con el contexto, con ella misma, con otras imágenes, con palabras.

A cargo de Cecilia Szalkowicz
Miércoles 26 de mayo a las 17:00

Lunes 11 de octubre a las 18:00


Arte contemporáneo en Malba

A través de una serie de exposiciones y obras que integran la colección, Inés Katzenstein indagará en su labor en el Malba y su experiencia curatorial en el museo entre 2004 y 2008.

Entrevista pública a Inés Katzenstein, a cargo de Francisco Lemus
Lunes 11 de octubre a las 18:00


Acento: Alejandra Seeber + Ruy Krygier

En el marco de la exhibición Fuera de serie, se presenta una intervención en sala del artista Ruy Krygier (Buenos Aires, 1972)

Desde el 29 de septiembre hasta el 11 de octubre


Acento: Leda Catunda + Luiz Roque

En el marco de la exhibición Fuera de serie, se presenta una intervención en sala por parte del artista Luiz Roque (Cachoeira do Sul, Río Grande del Sur, 1979).

Desde el 29 de septiembre hasta el 11 de octubre

Jueves 7 de octubre a las 19:00


Lo más Fresco posible

A comienzos de los años 90, Fresco fue un programa de televisión, que nunca vio la luz, creado por la dupla Alejandra Seeber-Rosario Bléfari. Cada emisión, filmada en VHS, contaba con la presencia de una artista y una entrevistadora ficcionales.

Charla virtual entre Alejandra Seeber y Pablo Schanton
Jueves 7 de octubre a las 19:00

Martes 28 de Septiembre a las 18:00


La pintura extranjera. Cuerpo y pintura en latinoamericanxs en Nueva York

En esta conferencia, Aimé Iglesias Lukin presentará su investigación en torno a la obra de algunxs artistas latinoamericanos en Nueva York, entre los años 60 y 70, y la relación entre cuerpo y pintura.

Por Aimé Iglesias Lukin
Martes 28 de Septiembre a las 18:00

Lectura performática y canciones por Nina Suárez
Sábado 25 de septiembre a las 18:00

Lectura derivada

Índice Seeber, de Rosario Bléfari

A partir de pensar y establecer una relación posible entre la obra de Seeber y ciertas lecturas-fuente, qué épocas y espacios compartidos hacen confluir, elaboré un índice de palabras clave que emparentan los procedimientos, elecciones y obsesiones de su trabajo.

En colaboración con Alejandra Seeber y Daniela Rodi
Lectura performática y canciones por Nina Suárez
Sábado 25 de septiembre a las 18:00