Literatura
Programación
2015

Inscripción a todos los cursos en la recepción del museo, de lunes a domingos (incluidos los feriados,
excepto los martes) de 12:00 a 19:30.

+54 11 4808 6545
literatura@malba.org.ar

E-Book
I will take it to the grave

Within the framework of the exhibition Unerasable Memories

Since 2001, through the Department of Literature, MALBA organizes activities aimed at the study and promotion of contemporary literature, as well as at recovering books and writers from the past by means of different actions, and in collaboration with publishers, independent agents, libraries and universities.

This collection of stories arises from an invitation to writers from different generations made within the framework of the exhibition entitled Unerasable Memories: a Historical view on the Videobrasil Collection, which opened on June 25, 2015. The watchword was a simple one: to evoke a historical fact (either a minor or a relevant one) of which they had been main actors.

Regarding length and form, the watchword implied that texts should be longer than a sentence and shorter than a page, and should be published in the language they have been written, together with their translation into Spanish, if applicable. The unavoidable reference has been the American artist and writer Joe Brainard, who published in 1970 I remember, a book where he listed memories of his childhood and adulthood. Some years later, the French writer Georges Perec, who was also keen on inventories, established this literary way of remembrance in his book Je me souviens, 1978. After him, there were many authors who resorted to this type of autobiography.

The stories in I will Take it to the Grave are private memories but also political and social ones. Divided in three volumes, they cover a wide temporal and geographical range, and deal with various subjects, from the Soviet missiles crisis to Evo Morales’ rise to the presidency. They are circumscribed neither to one country or one culture nor to a specific period of time; on the contrary, they are varied in relevance and pertinence, as it happens with our own memories.

Volume 1

Minae Mizumura (Japan)
Sérgio Sant'Anna (Brazil)
John M. Coetzee (South Africa)
Santiago Loza (Argentina)
Lina Meruane (Chile)
Nicholas Jose (Australia)
Mario Bellatin (Mexico)
Laura Alcoba (France)
Giovanna Rivero (Bolivia)

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Related Activities

An historical view on the Videobrasil collection
Opening: Thursday, June 25
Curator: Agustín Pérez Rubio

06.26— 08.20.2015

Unerasable Memories

This video exhibition revisits polemic and conflict-ridden historical events from the personal perspectives of major international artists such as Akram Zaatari and Walid Raad, Coco Fusco, Bouchra Khalili, León Ferrari, Rosãngela Rennó, Carlos Motta, and Jonathas de Andrade.

+ info

Memorias de la conquista

Curso

Memorias de la conquista

El curso gira alrededor de la conquista y los modos de rememorarla: ¿Qué vestigios quedan de la violencia, la dominación y la matanza? ¿Cómo construir una mirada frente a la versión oficial y cómo recuperar las imágenes y las palabras de quienes fueron vencidos?

Rosangela Renno

Conferencia

Rosângela Rennó
Imagen y (des)memoria

Partiendo de la idea de que el pasado es irrecuperable y de que todo acto de memoria supone un acto de reinvención, Rosangela Renno ha construido un intenso cuerpo de obra en donde la fotografía y el video oscilan entre el documento y la ficción.